What you are looking at
A beam of light travels left to right through a row of
polarizing filters. The little
arrows between the filters show the direction the light's
electric field is oscillating —
its
polarization — and the brightness of the beam shows how much light is getting through.
A meter at the right reads the transmitted intensity.
Polarization and the first filter
Ordinary light from the Sun or a bulb is
unpolarized: its electric field jitters in every
transverse direction at random (shown as a starburst of arrows). A polarizer only transmits the component of
the field along its
transmission axis, so after the first filter the light is
linearly polarized along that axis — and exactly
half the intensity gets
through, since on average only half the random field lies along the axis:
I₁ = ½ I₀ (unpolarized → first polarizer)
Malus's law
Once the light is polarized, a second filter (the "analyzer") set at angle Δθ to the first transmits only the
projected component, and intensity goes as the cosine squared:
I = I_in · cos²(Δθ)
Line the axes up (Δθ = 0) and all the light passes; cross them at 90° and the cosine is zero — total
darkness. Rotate the analyzer and watch the brightness follow the cos² curve plotted below.
The three-polarizer surprise
Here is the famous twist. Two crossed polarizers (0° and 90°) block everything. Now slip a
third polarizer at 45° between them — and light reappears! Each stage only needs cos²(45°) =
½, so the chain transmits ½ · ½ · ½ =
⅛ of the original (12.5%). The middle filter
"re-projects" the polarization partway around, letting some survive the final filter. Try the
3-polarizer preset to see it. This is impossible to explain if you think a polarizer simply
"removes" light — it actively redefines the polarization direction.
Things to try
Sweep Polarizer 2 from 0° to 90° and watch Malus's law dim the beam to nothing. Set up crossed polarizers,
then add the third in the middle and rotate it — transmission peaks when it sits at 45°. Polarizers like
these are how LCD screens, polarized sunglasses, and photographers' filters control light.